19 Royalty-Free Audio Tracks for "Universal Audio"

O universal Lord (Adon Olam), recorded in Wilna. Gramophone matrix 168Hp [1]

Sound of opening a soda can (two times) plus sparkle sound. Recorded with a stam audio u47fet into an universal audio apollo into pro tools.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

During the recording, i was sneeze:) i recorded 48khz mono. . . I used pro tools daw, universal audio sound card and se2200a ii mic. . .

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

A descending chord of open strings played on a violoncelo with pizzicato. Recorded in a home studio with a rhode nt-1 and universal audio 610 (flat response).

This is a lead synth sound i made for the xs24 on the nord modular g2 and universal audio uad emulations of the neve eqs, ln1176 limiter, 88rs, fairchild, and pultec eqs. Also used the joe meek eq from protools.

I set my mics up just in time to catch this loud thunder crash during a recording session. I aimed a stereo-matched pair of akg 451s out the window in an x-y configuration and ran them into a universal audio 2-610 preamp. There are no effects at all.

One of a series of recordings i made from a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. These sounds might serve you well for game and ui sound design! recorded into a universal audio arrow.

One of a series of recordings of a delightfully squelchy toy. Bringing my microphone up close to this toy, i found myself in a world of deep, squishy mud. Recorded with a rode nt1 into a universal audio arrow.

One of a series of sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I felt like the expulsion of air made a nice swishy ui sound. Recorded with a rode nt1 into a universal audio arrow.

Recording with a universal audio apollo x and sontronics stc-1 stereo matched pair with ortf config. Recorded on may 8, 2021, at 9:30 am. Time of day when there were more birds in this area. It is a true symphony of birds. Sometimes you hear people talking in the distance and lawnmowers.

One of a series of foley recordings i made by sticking a piece of contact (sticky plastic of the kind you use to cover books) to a wall and tearing various household objects off it. The idea was to make a fairly comprehensive collection of rips and tears with varying timbral qualities that i could use to design ui sounds effects. Recorded with a rode nt1 into a universal audio arrow. This sound comes from a plastic candy wrapper.

Another recording of rain and thunder, but in some ways a better one. This one is a surprisingly big crack and rumble preceded and followed by a nice sounding rain. I made this by positioning a stereo-matched pair of akg c451b condenser mics in an exaggerated x-y configuration (a wider stereo field) and aiming them out of my open window. The mics went into a universal audio 2-610 preamp, an apogee duet 2, and then ableton at 48khz and 24 bits. I believe i had the mics set flat, and there was no post processing (though i was mightily tempted to upload the much-better-sounding eqed and compressed files) so that you can fine tune it to suit your needs. You'll notice that the loudest parts of the thunder boom clipped the input, but, due to the pleasant and forgiving nature of vacuum tubes, the clipping sounds more compressed than distorted. Feel free to use this sound in any commercial or artistic work! you do not need to credit me.